Dani Segelbaum, agent at Arc Literary Management

Dani Segelbaum has nearly a decade of experience working in the publishing industry. She joined Arc Literary in 2024 after three years at the Carol Mann Agency. She began her publishing career as an editorial assistant at HarperCollins Publishers, focusing primarily on highly designed non-fiction titles. She previously worked as a literary assistant at New Leaf Literary & Media. Dani has worked on bestselling and award-winning books by authors including Justin Timberlake, Iris Apfel, Ann Patchett, and Jacqueline Winspear.

Born and raised in Minneapolis, Dani is a graduate of Boston University’s College of Communication where she studied journalism and political science. In college, she worked as an intern for Marie Claire Magazine and as a writer for Boston Common Magazine and the Milford Daily News. Dani has been a voracious reader for as long as she can remember. She represents a wide range of both fiction and non-fiction in the adult and children’s spaces, working with New York Times bestselling and debut authors, and is passionate about collaborating with authors from diverse backgrounds to tell stories that are meaningful to them.

In nonfiction, she is particularly drawn to books in the areas of women’s issues, popular culture, illustrated/photography, history, politics, self-help, and current events. She also loves narrative non-fiction, biography, business, lifestyle, and cookbooks. Dani collaborates with a diverse range of authors, including illustrators, photographers, academics, psychologists, and journalists.

In fiction, Dani seeks contemporary and upmarket adult fiction, historical fiction, rom-coms, and women’s fiction. She loves compelling narrators and is drawn to writing that is voice-driven, highly transporting, and features unique perspectives and marginalized voices.

Outside of her professional life, Dani enjoys spending time with her Aussiedoodle, trying out new restaurants with her husband, and indulging in her cookbook collection (which has officially reached “too many” status). Her guilty pleasures include reading the newspaper late at night and baking a never-ending array of treats for family and friends—many of which come straight from her extensive collection of cookbooks.

Dani is a member of the AALA. For more details about her, listen to Dani’s interview on This Podcast Needs A Title and Manuscript Wishlist. Follow Dani on Instagram and X.

     

Member Reviews of Dani

Dani read my pages closely and went over them with me. She had excellent suggestions, and was very easy to talk to over Zoom. She also has a super cute Aussiedoodle!

Karen Uhlmann

15 minutes with Dani restored my faith in myself! I had made changes to my manuscript and query letter based on a different agentís comments. These changes were made very grudgingly and left me feeling demoralized but a bit pugnacious. Dani didnít like any of those changes and unknowingly made suggestions that were very similar to my original copy. I must add that she also suggested something brilliant that I had NOT thought about.
I learned a lesson that Teacher Beth already knew but Writer Beth forgot. Just as our writing styles are unique, so are agents. Some like voice, others like carefully wrought words that transcend our dreary lives.
You might have guessed – Iím a vocal spitfire. I had drained every ounce of spunk from my first ten pages. Dani gave me permission to return to Divadom – the domain of the Finally Fabulous.
If you err on the side of smart ass storytelling, Daniís your gal. She studies your work with a fine-toothed-comb (well, as much as 15 minutes will allow) and has plenty of suggestions that make so much sense.
I learned an enormous lesson from this experience. I will continue to request critiques from readers who donít mesh with my style not only to hone my skills but also to question myself and then walk away like The Donna.
If you know, you know!

Elizabeth Wagenaar
Elizabeth Wagenaar

Although Dani Segelbaumís vivisection of my query was in-depth, she was so congenial that there was no need for Novocain. She gave me pinpoint suggestions that helped me streamline the pitch and make the prose clearer. An extra set of eyes is invaluable to any writeróespecially when the task is the dreaded query letteróand Daniís perspective allowed me to see the letter as the opening of a dialogue. She is as smart and focused as she is kind.

Bud Jennings
Bud Jennings

Dani offered clear comments on my first ten pages (including the easy but important fix that delaying one line for a couple of paragraphs intensified the chapter’s emotional impact). She understood what I was trying to do, and that was hugely validating. She also answered a couple general questions about publishing. I appreciated her kind, insightful feedback.

Nicole Nelson
Nicole Nelson

At first, I was hesitant to book a session ó†$100 seemed like so much money for just 15 minutes of face time. But several of my author friends on Instagram had a great experience, so I took the plunge. I’m so glad I did! It wasn’t just the 15 minutes of face time, but the opportunity to have an agent actually review my submission thoroughly in advance so we could have a conversation about it. Dani Segelbaum was so friendly, helpful and encouraging. Her enthusiasm for my query letter and initial pages gave me the confidence I needed to head back into the querying trenches feeling good about my work, and her suggestions for tweaks to make my submission the best it could be were so helpful. She also provided some general suggestions for dealing with the often discouraging query process as well. I would highly recommend Dani and Manuscript Academy for anyone considering a consultation like this.

Cortney Casey

Dani Segelbaum was great. She reviewed my query letter and first ten pages and gave me great advice. I am rewriting that part of my work to her suggestions. She told me how I should set up my query to be more effective and my first ten pages to hold people’s interest. She thought the hook in the first ten pages was fine. I ran it by a couple of people, and they think it does read a lot better. They liked my first version, but like the way this reads much better. It was time and money well spent with Dani, and enjoyed our conversation. She is without question excellent at what she does and a very kind person.

David Jones

Dani was extremely helpful. I appreciate the expert feedback.
It is so easy to doubt your decisions and have no idea if what you’re doing is powerful or effective. No one has the perspective an agent does on a query.
Dani’s suggestions for my letter and the first ten pages of my LGBTQ memoir were solid and specific. It took me a few days to figure out how to put them in place but I did and know the suggestions improved my opening immensely. (I only wish I’d scheduled a few days earlier, BEFORE I got a full request…)
This consultation made a difference in my approach and my confidence. There’s a bit less flail to my walk this week. Thank you!
….cole
(ni)Cole LeFavour
(writer, activist, and former Idaho State Senator)

Cole LeFavour
Cole LeFavour

Dani was fantastic. She was incredibly kind, supportive, and had actionable advice for how I could improve my pages. It was comfortable, friendly, and so helpful. I wasn’t entirely sure how much to expect from this 15 minute conversation; suffice it to say it more than exceeded my expectations. I would absolutely recommend it to anyone, and certainly would recommend Dani!

Allison McWilliams

Iíve done a few of these consultations and this was by far the best. It really felt like Dani had my best interest at heart. She spoke to me like we were a team.

Shannon Norwood
Shannon Norwood

Work with Dani

LIVE Meetings: Meet face-to-face, from home. Choose Zoom, Google Meet, or phone, and speak for the appointed time about your query, first page, and/or first ten pages (for longer meetings). Does not include written notes, but is a chance to have an honest discussion about your work, and to ask follow-up questions. International meetings welcomed.

HYBRID is a live meeting at the appointment time, with written notes.

WRITTEN Critiques: Get detailed, thoughtful notes on your work. Comes with large-scale edits (character, world, plot, tension, concept, conflict, and similar as needed) in an editorial letter and small-scale, line-by-line notes as needed (for longer critiques, an average of three per page). Work arrives in your inbox within 24 hours of thedate on the calendar.