High Concept–What It Is, And How It Helps You Sell Your Work

You may have heard rumors that editors, now, are looking for fewer works–but those that are “high concept.” What does it mean to be high concept–and how can you make your work fit this description? Better still, how can having a high concept work help you in every stage, from pitching agents, to pitching editors, to pitching acquisitions boards, to better placement in the bookstores and better book sales?

Like high concept works, Jennifer’s class is short, packed with information, and to the point.